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John McTiernan da en.wikipedia.org
John Campbell McTiernan Jr. (born January 8, 1951) is an American retired filmmaker. He is best known for his action films, including Predator (1987), ...

John McTiernan

Regista e produttore cinematografico
John Campbell McTiernan Jr. conosciuto come John McTiernan è un regista e produttore cinematografico statunitense. Wikipedia
Nascita: 8 gennaio 1951 (età 73 anni), Albany, New York
Coniuge: Gail Sistrunk (s. 2012), Kate Harrington (s. 2003–2012) e Donna Dubrow (s. 1988–1997)
Film
John McTiernan da m.imdb.com
John McTiernan was born on 8 January 1951 in Albany, New York, USA. He is a director and producer, known for Die Hard (1988), Rollerball (2002) and Last ...
Le persone hanno chiesto anche
John McTiernan da it.wikipedia.org
Regista modifica · Nomads (1986) · Predator (1987) · Trappola di cristallo (Die Hard, 1988) · Caccia a Ottobre Rosso (The Hunt for Red October, 1990) · Mato ...
John McTiernan da www.rottentomatoes.com
A leading craftsman of dynamic, large-scale Hollywood movies, John McTiernan first made his mark as a prolific writer and director of commercials.
John McTiernan da www.themoviedb.org
John Campbell McTiernan Jr. (born January 8, 1951) is an American filmmaker. He is best known for his action films, especially Predator (1987), Die Hard (1988), ...
John McTiernan da www.theguardian.com
11 lug 2023 · Now 72, McTiernan, is happy to talk about his jail time. No, there weren't ankle tags, he says. The prison operated on an “honour” system: if ...
John McTiernan da www.imdb.com
John McTiernan was born on January 8, 1951 in Albany, New York, USA. He is a director and producer, known for Die Hard (1988), Rollerball (2002) and Last ...
John McTiernan da faroutmagazine.co.uk
1 apr 2024 · In 2006, McTiernan was charged with lying to the FBI after hiring a private investigator to mount an illegal wiretap on Rollerball producer ...
16 ott 2023 · John McTiernan reinvented the action movie in the '80s with “Predator,” and “Die Hard.” The '90s fared just as well for him with “The Hunt ...
It's an aesthetic configuration that refuses to engage viewers mentally and emotionally, instead aspiring to overwhelm, to overpower, to hypnotize viewers and ...