Between the release dates of her fifth and sixth albums,
Alicia Keys was as visible as ever, acting on Empire, coaching on The Voice, performing on Saturday Night Live and at the 2016 Democratic National Convention. At some point, she stopped wearing makeup, fed up with the standard of perfection to which women are held. That anti-processing mentality and heightened social consciousness carried into the making of
Here. Pared down compared to
Girl on Fire in every respect,
Keys' first album since 2012 was created primarily with husband
Swizz Beats and
Mark Batson -- a trio dubbed in the liner notes as
the Il'luminaries. There are more yeahs, ohs, and unghs (and fucks) here than on any previous
Keys album. The expressions are sometimes heard as
Keys feels out a rhythm, like she's warming up, while in "The Gospel" they sound like temporary placeholders for lyrics. There's a batch of career standouts. "She Don't Really Care_1 Luv" is prime hip-hop soul with an appearance from legendary vibraphonist
Roy Ayers. The biographical "Blended Family (What You Do for Love)," featuring
A$AP Rocky, hits all the right supportive notes despite borrowing from
Edie Brickell's "What I Am." Most affecting of all is the gospel-blues dirge "Illusion of Bliss," a modern-day version of
James Brown's "King Heroin" presented from the addict's point of view. Anyone who faults
Keys' lack of technical mastery should be able to feel the depth of the pain the singer expresses in that highlight. ~ Andy Kellman