Don Mario Mazzoleni uses his theological training to examine Sai Baba's miracles and teachings.

In this revolutionary work, John Dominic Crossan reveals that the Passion and Resurrection Narratives in the four canonical Gospels are radical revisions of an earlier Gospel account.

To answer this question, Fulton ranges over developments in liturgical performance, private prayer, doctrine, and art.

This is a thoroughly revised edition of Glynne Wickham's important history of the development of dramatic art in Christian Europe.

This approach is critiqued in The Origin of Medieval Drama where Leonard Goldstein places the development of the plays within the socio-economic context of the period, most notably the rapid rise of feudalism.

Bynum argues that Christ's blood as both object and symbol was central to late medieval art, literature, and religious life.

A study not of the institution of the Church but of Christianity itself, this book explores the Christian people, their beliefs, and their way of life, providing a new understanding of Western Christianity at the time of the Reformation.