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Red Moon Hardcover – October 23, 2018
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It is thirty years from now, and we have colonized the moon.
American Fred Fredericks is making his first trip, his purpose to install a communications system for China's Lunar Science Foundation. But hours after his arrival he witnesses a murder and is forced into hiding.
It is also the first visit for celebrity travel reporter Ta Shu. He has contacts and influence, but he too will find that the moon can be a perilous place for any traveler.
Finally, there is Chan Qi. She is the daughter of the Minister of Finance, and without doubt a person of interest to those in power. She is on the moon for reasons of her own, but when she attempts to return to China, in secret, the events that unfold will change everything -- on the moon, and on Earth.
- Print length464 pages
- LanguageEnglish
- PublisherOrbit
- Publication dateOctober 23, 2018
- Dimensions6.5 x 1.5 x 9.5 inches
- ISBN-100316262374
- ISBN-13978-0316262378
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Editorial Reviews
Review
"Enjoyable and thought-provoking...[Robinson] is one of contemporary science fiction's great scene-setters."―SF Chronicle on Red Moon
"...as convincingly textured and observant as we've come to expect from one of the finest writers of his generation."―Locus magazine on Red Moon
"...as nuanced a portrait of connection between two people - two people who may never admit out loud that they've come to care for each other even the slightest bit, even if only as partners in survival -- as we've seen in science fiction in quite some time. Robinson nails the dynamic. Bravo."―SCI-FI magazine on Red Moon
"New York may be underwater, but it's better than ever."―The New Yorker on New York 2140
"Massively enjoyable."―The Washington Post on New York 2140
"Science fiction is threaded everywhere through culture nowadays, and it would take an act of critical myopia to miss the fact that Robinson is one of the world's finest working novelists, in any genre."―Guardian on New York 2140
About the Author
Product details
- Publisher : Orbit; First Edition (October 23, 2018)
- Language : English
- Hardcover : 464 pages
- ISBN-10 : 0316262374
- ISBN-13 : 978-0316262378
- Item Weight : 1.5 pounds
- Dimensions : 6.5 x 1.5 x 9.5 inches
- Best Sellers Rank: #595,565 in Books (See Top 100 in Books)
- #2,497 in Hard Science Fiction (Books)
- #7,947 in Space Operas
- #12,561 in Science Fiction Adventures
- Customer Reviews:
About the author
Kim Stanley Robinson is a winner of the Hugo, Nebula, and Locus Awards. He is the author of eleven previous books, including the bestselling Mars trilogy and the critically acclaimed Fifty Degrees Below, Forty Signs of Rain, The Years of Rice and Salt, and Antarctica--for which he was sent to the Antarctic by the U.S. National Science Foundation as part of their Antarctic Artists and Writers' Program. He lives in Davis, California.
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Robinson's latest book is RED MOON, a novel that is apparently in the same timeline as that of New York 2140. The moon has been colonized mostly by the Chinese; they basically control the south polar region of the moon, while the north polar region is left for everyone else. The year is 2047, a year that I felt was wildly optimistic to have full colonization of our satellite until I read that the Chinese are launching an expedition to the far side of the moon, and I'm now wondering just how far off Robinson really is.
The story, such as it is, kicks off with an American bringing a revolutionary (now that I think about it, that's a funny way of putting it) quantum communications device to the moon as part of a deal made with the Chinese administration there. He gets caught up in a successful assassination attempt, and thus begins the wild ride of Fred Fredericks (the American) and his unlikely involvement with a Chinese revolutionary named Qi as they traverse the moon north to south and back again, and while they're at it, travel back and forth from the Earth to the Moon as well. But all that running around the moon and the Earth have almost nothing to do with that communications device. That little item was just a way to get the story started.
Robinson recently stated in an interview in Locus magazine that RED MOON was about the Chinese colonization of the moon. Quite frankly, I don't buy that. Qi's father is involved in the latest Chinese dynastic succession on Earth. Qi is a wild card in that story. Her father is involved, but she is extremely outspoken in her opposition to the Party. She is also pregnant, which happened while on the moon and is not allowed. She is sent to earth, along with Fred, early on in the story to get her off the moon and hidden so the embarrassment to her and her father can be hidden from the authorities. From that point on, the story deviates from that of Fred and the communications device to that of the next great Chinese dynastic succession. One note about Qi's pregnancy. I'm not really sure what it adds to the story, unless I'm missing some subtle point (always a possibility). There certainly is a great deal of symbolism between her pregnancy and the new regime on Earth. But beyond that, I'm at a bit of a loss.
And this is why I don't think this book is about the Chinese colonization of the moon. Just as Robinson originally wanted to write a book about financial markets and ended up with NEW YORK 2140, he wanted to write a book about the next great Chinese dynastic succession, and he was able to do so by setting it in the future and showing how technological advances would affect that succession, while at the same time showing that the succession really still is a succession, no matter what causes and influence it.
Robinson is well known for being an ardent supporter of infodumps, and is not shy about including them in all of his novels. RED MOON is no different, although this time around the infodumps are not always about science - although we get more than our share about the colonization of the moon. They are about Chinese philosophy, government, finances, history, and motivation.
They are about Chinese society, and eventually how all these things led to where we are in RED MOON. To this reviewer, it all points to the fact that Robinson wanted to write about the succession, not about moon colonization. The colonization was just a convenient vehicle for telling his story.
Yes, I know, who I am to say what Robinson's motivation really was for writing the book? I can't argue with that point of view. To put a bit of a gentler spin on the novel, it sure seems to me that he wanted to tell the succession story, and that I could be wrong about that.
Don't get me wrong. RED MOON is well written. As was once put to me about something else entirely, it's written in a way that would make your high school literature teacher proud that you read it. But like most of Robinson's other novels recently - the notable exception being AURORA - it's light on traditional story telling structure and plot.
As with NEW YORK 2140, multiple narrators are used in the audio production. I liked the way the multiple narrators were used in that book, but not so much here in RED MOON, and I'm not sure why. I guess they just didn't work for me this time around. Also, I feel like Joy Osmanski was under-utilized. She read very few chapters in comparison to the two male narrators. In any event, the narration was serviceable and worked well enough; it just wasn't as outstanding as the narration in NEW YORK 2140.
I could say the same for the novel itself.
Lots of ideas here! mostly having to do with us all being both more responsible and more represented in our various governments. I am intrigued by the idea that normal people could bring the Big Banks down by opting out; they rely on our capital to exist, and what would happen if we removed it? and put it into lo al cooperatives and credit unions instead?
I loved the brief glimpse of the moon's "free crater", where there were no secrets- but mostly people had more interesting things to do than spy on their neighbors.
I also got a better grasp of China- which is a world power, and in some ways very different from us Western powers.
The plot(s) was (were) excellent. I really liked Fred- he's clearly autistic, and his approaches and intelligence were fascinating and comprehensible.
Personally- I liked the poetry. It's terse. I like terse way more than flowery.
Very recommended, for people who like KSR's more political novels.
Top reviews from other countries
This novel is brilliant and fascinating, perhaps Robinson's best work yet. It is a near future story of the chaos of a massive change in human society, involving politics and culture and history and technology (including an imergent AI). Travel to the moon is easy and quick; China has taken the lead there, and Chinese thought and culture is a major part of the story. But the characters are what makes this novel so good. Everything that happens is seen through the eyes of the three main characters and their supporters and enemies, and none of them can see it all. Events seem to be out of their control, the societal forces working for and against them seem to be more than they can handle or even survive, yet in the end the story achieves an ambiguously hopeful conclusion.
The action in this novel is usually subtle and is often seen indirectly, though it picks up pace toward the end. The action serves to support the development of the characters and gives Robinson's ideas something to hang on to; it is not the point of the book. This novel is intellectual and sometimes challenging; it will make you think about things you don't know and think differently about things you do know. As a vision of the future it is all too plausible, maybe frighteningly so, but the ending, while ambiguous, does not abandon all hope for humanity.
If you just want nonstop action, this is not your book. If you like getting your mind expanded, this book will definitely do it for you. Highly recommended.