Dust off your tutu skirts and grab your Cosmos, as all six seasons of Sex and the City are heading to Netflix in the US for your marathon pleasures.
The series' 94 episodes following Carrie, Samantha, Charlotte and Miranda's romantic and sexual adventures will start streaming on Netflix from April 1 (via The Hollywood Reporter). Previously for American fans, the series had only been available to stream on Max.
In the UK, it is available on Sky Comedy and Now.
Related: Sex and the City to get unexpected new spin-off
As announced last July, Warner Bros Discovery — parent company of HBO (the network which first aired SATC in 1998) — inked a content agreement with Netflix last July, authorising a licensing deal for several series, including Six Feet Under and True Blood.
Author Candace Bushnell, whose 1994-1996 column in The New York Observer spawned the series, previously weighed in on the deal between HBO and Netflix, claiming she won't be affected financially.
"All of these men who are in charge of things, they just keep moving these cards around to make money, because every time they move the cards around, somebody's skimming," she told The Sunday Times last February.
Related: Cynthia Nixon and Kristin Davis break down initial SATC auditions for Carrie role
She also likened "the way men do business" to "a Ponzi scheme".
Netflix did not respond to Bushnell's comments at the time.
Meanwhile, And Just Like That, the sequel series to Sex and the City which has been renewed for a third season, will remain a streaming exclusive of Max in the US and Sky Comedy and Now in the UK.
Sex and the City will start streaming on Netflix in the US on April 1. It also remains available on Max. In the UK, the show can be streamed on Sky Comedy and Now.
And Just Like That, the sequel to Sex and the City, airs on Max in the US and Sky Comedy and NOW in the UK.
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Stefania is a freelance writer specialising in TV and movies. After graduating from City University, London, she covered LGBTQ+ news and pursued a career in entertainment journalism, with her work appearing in outlets including Little White Lies, The Skinny, Radio Times and Digital Spy.
Her beats are horror films and period dramas, especially if fronted by queer women. She can argue why Scream is the best slasher in four languages (and a half).
